![]() ![]() Musically, Super Collider falters in its inability to deliver the kind of hooks and powerhouse solos we know Broderick and Mustaine can provide. If this is the crap we're going to get from your current direction, you need to pledge your soul back to Satan and get back to voting Democratic right this minute. And now we have a born-again Christian who campaigns for Rick Santorum and writes the bizarre abortion ballad of "The Beginning of Sorrow?" "Peace Sells." was released in 1986 during the Reagan administration and begged equality between dark magic thrash dirges. 2004's The System Has Failed and much of 2007's United Abominations were nothing but huge attacks on the Bush administration. Dave's kicked out album after album from 1985's Killing Is My Business fueled by either personal hatred, political rage, or both. And when you look at the inconsistency of frontman Dave Mustaine in recent years, the fact that Super Collider is an inauthentic feeling mess begins to make sense. Well, Super Collider is here and it's proof positive that our hopes were in vain. Somehow, though, the Megadeth faithful, with Endgame not too far off in the rear-view mirror, held out hope that this would only be a palate cleanser while the band worked on their next true opus. Yet 2011's Th1rt3en suffered long strokes of mediocrity between recycled and poorly reimagined songs. Frankly, if he wanted to be, he could be the most talented guitarist in whatever genre he wanted to be in. How could it not be? Chris is, unquestionably, one of the most technically talented guitarists in metal today. The 2009 album saw the band thrashing hard enough for our very own Trey Spencer to hail the album as "Rust in Peace Part 2" and it seemed that the addition of Chris Broderick was a match made in heaven. Post- Endgame Megadeth is, flat-out, a confusing mess. Meanwhile, if you are ever in Boulder, Colorado, on a Tuesday night—hey, it could happen—be sure to stop into The Laughing Goat for some of the freshest music around.Review Summary: The sound of complacency. Supercollider is one of the many groups on the Colorado jazz scene that deserve a wider audience. Supercollider's strength and passion bursts out with every note these are songs that get into the bones. The group also experiments with dynamics, and is unafraid to turn a song in a completely new direction. The arrangements are excellent, full of intricate interplay and designed to get a big, fat sound. These are full-bodied songs with bright, fresh melodies, the kind an audience finds itself humming on the way home. The other three songs are instrumentals, offering wonderful examples of Supercollider's impressive strengths. All three tunes are stately and deep, full of longing and a touch of melancholy. Supercollider could do an album just with numbers by Gray he's a compelling vocalist who sings with his heart wide open. Three of the songs feature bluesy vocals from the slightly raspy, down-home Jon Gray, who's also the group's trumpeter. The EP features six of Supercollider's songs given the group's wide range, this can only represent a small slice of what it can do, but it's a great place to start. In order to keep the gig vibrant, the group welcomes guest appearances from the talented roster of Front Range jazz musicians, including illustrious masters such as trumpeter Ron Miles and pianist Art Lande. This consistency has allowed Supercollider to gain an unshakable cohesion, as well as give the septet room to shape its music and experiment at leisure. One secret to Supercollider's success is a weekly gig every Tuesday at The Laughing Goat, one of the best live music venues in Boulder. This is a group that can embark on a twenty-minute high-wire jazz jam, follow up with a heart-melting blues vocal, then bust out a funk explosion that propels the audience up on its feet to dance. A refreshing blend of jazz, blues, funk, and rock, Supercollider's music is both melodic and powerful, with an energetic frontline and a soulful vocalist who digs deep. Supercollider is one of the most popular and distinctive jazz groups on the Colorado Front Range. ![]()
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